Tuesday, April 28, 2020

Reaction Paper on Ccps Staged Reading Essay Example

Reaction Paper on Ccps Staged Reading Essay Labfest which is a festival for new plays, untried, untested, unpublished and unstaged. It is done by virgin playwrights or first-time playwrights, first-time writers or also known as extra-virgins and born-again virgins or the professional writers with new works. The plays are selected from different scripts sent by writers from all over the country. Virgin Labfest is held at The Cultural Center of the Philippines on July 6, 2013 and Virgin Labfest is now running on its ninth year and proving to be one of the most successful theater festivals.To train aspiring writers Virgin Labfest created its own writing fellowship with a two-week mentorship programs on the study and practice of dramatic writing on the stage. The fellows have lectures, discussions and workshops on playwriting and script critiquing. The Fellowship Program culminated a staged reading of the fellows’ works at the CCP Bulwagang Amado Hernadez. The event is free and open to the public. There were 10 short plays directed by Dennis Marasigan and will be performed by amateur and professional theater actors. The 10 short plays are: 1. Ang Gintong Aral ni Ma’am Zeny  by  Tyron Judes D.Casumpang 2. Final Interview  by  Christian M. Dagsil 3. Kalayaan  by  Christa I. De La Cruz 4. Ungentlemanly Behavior  by  John Carlo Dulu 5. Kung Paano Magsintas ng Sapatos  by  Janina Faith Gacosta 6. Bago Magkaroon ng Panibagong Mundo  by  Sherina Mae Inza-Cruz 7. Pabaon  by  Levine Andro Lao 8. Ang mga Nakatatawid sa Asin  by  Lorenzo Elias Lopez 9. Drop Zone  by  Miyo Sta. Maria 10. Ang Huling Stage Reading ni Romulo Dulah  by  Christian Ubana Tordecillas These short plays that were featured are the results of the mentorship program by the award-winning playwright, Glen Sevilla Mas.As part of the Speech and Stage Arts class we were required to watch the Stage Reading of the fellows and critique them. At first, I was just expecting a simple presentation. From the word itself, stage reading, I was thinking of a group of people handling scripts and reading it as accompanied with variety of emotions. But I was surprised when we enter the Bulwagang Amado Hernandez and asked my classmates who were also there, if why there were props on the stage. They said that we will be watching plays more than we expected.The plays took only 10 to 15 minutes act on the stage and the title were announced before the play. Every part had a set of three to four different plays and the title of each play was announced before the play. I was not able to get the full title and just put something like â€Å"Adobo† or key words on my notes so I can remember them. The first play was â€Å"Ang Pabaon† by Levin Andro Lao. It was a good play but it is somehow a common story and with a predictable ending. But the thing that made it unique was the concept of Adobo that added a taste to the story. There were two characters in the play; ‘Buboy’ and the mother.Buboy as he portrayed his role, he was a bit monotonous and he used almost the same gestures and facial expressions. The mother although she is very young, her actions really fit her role as an old woman. The thing that distracted me with the mother was her way of pronouncing the letter ‘S’. she mispronounced ‘S’ as ‘Sh’, and because of that some of her words were not delivered clearly and I can’t understand some of the words that she said. Next was â€Å"Ang Gintong Aral ni Ma’am Zeny† by Tyron Judes D. Casumpang. The story was very extraordinary; the very first act that the man produced really showcased the whole 10 minute play.As we have studied in our class, I remember that a powerful voice at first will still the emotions of the audience as I have experienced that time. The man who played as the policeman and the former student of Ma’am Zeny really had a good quality of voice, powerful impact, variety of tone based on the emotions and expressions. The woman who portrayed the role of Ma’am Zeny has a soft voice but with much of emotions expressed, with the way she spoke mildly and calmly, I as one of the audiences felt moved by her emotions and facial gestures.I would also like to commend the plot of the story that it became a mysterious act of what would she do to the kid that was lying on her lap. Lastly, with the kid, it was good because at his age, he can really act like a professional artist although his accent does not fit his role. The third play was â€Å"Ang Huling Stage Reading ni Romulo Dulah†Ã‚  by  Christian Ubana Tordecillas. The story was very intriguing, because we can’t really find out where Romulo would go after their stage reading until the time that he said the he will be executed in China. Romulo’s mother as ‘Inahing Manok’ acted very realistic hat she can let her audience feel the sadness that she was feeling at tha t very moment. Vj Serag as ‘Bokbok Manok’ had a different approach in his character. His face looked angry but he was feeling sad and guilty because of Romulo’s situation, he was a little monotonous maybe because of his short dialogues. ‘Soksok Manok’ was a very good actor as he portrayed his character. The audience as the recipient of his emotions really laughed and felt sad because of the way he spoke and his facial expressions that seemed to be very unique. Romulo as the main character gave us the feeling of sadness although he was throwing jokes in his dialogues.I felt like something was hidden within him and it was the loneliness of the character portrayed. All in all the story did amazed me. Next was the story with the title, â€Å"Ungentlemanly Behavior†Ã‚  by  John Carlo Dulu. The title of the story gave me a bit idea of the concept of the play; I said â€Å"maybe it is about a gay. † And I was right! But the thing that did am azed me was the revelation from the father saying that he is a gay and he had a past relationship with the teacher. It was a very funny story because of their dialogues and emotions expressed.The father used variety of tone and pitch, he also used the technique of lowering his voice and then shouting, like the term ‘decrescendo’ in singing. Vj as the teacher expressed very strong emotion of shame and denial because of what the father is saying. He also used appropriate body gestures as he moved back and forth of the staged. For me, it was one of the best stories among the ten plays. The fifth play was â€Å"Ang mga Nakatatawid sa Asin†Ã‚  by  Lorenzo Elias Lopez. The characters were the Lola, the two young man and woman who played as siblings with different parents.At first I thought that the story was all about aswang or supernatural things but as the story went by, it was about the temptation of a man towards a woman. The lola was very oldish in style, she re ally portrayed her character as an old woman with ease. Both of the siblings expressed different variety of voice, tone and gestures. The sixth play was, â€Å"Kalayaan† by Christa I. Delacruz. As I was watching the play, I felt a little discomfort because of the kissing scene of both women. This kind of play should consider the audience, because it had some censored parts.The woman with the short hair produced exaggerated actions that I think inappropriate to her dialogues and with regard to her partner, she was talking mostly in English and some of the words mumbled in her mouth as she was saying those, she had some mispronounced words and she did stutter sometimes. The seventh play was, â€Å"Final Interview† by Christian M. Dagsil. It was a very good story and it really depicted the reality of life. Both Vj and the woman beside her expressed appropriate gestures and used variety of tone and pitch and they have a good quality of voice.But the main character of the s tory named ‘Suzette’ has a very low voice that with the large amount of crowd, the audience at the back was not able to hear what she was saying that time and some of the audience just do murmuring around. With the energy level and the power of the voice of her two co-actors, she was covered up by them. In that sense, she should consider the number of her crowd, she can’t be heard at the back added up by the noise of the air condition. The eighth play was, â€Å"Bago Magkaroon ng Panibagong Mundo† by Sherina Mae Inza-Cruz. The story had the sense of science fiction, because it is about the destruction of the world.The characters are very realistic in acting. Especially in imaginary setting, because they were just imagining that they were in the front of them but in the story they were in a different cubicle talking to one another. The woman who had given the pill to survive had a very good expression and voice quality while the ‘ate’ somehow e xplicit gestures that were not that fitted to her role. The ninth play and one of the best among the 10 stories was, â€Å"Drop Zone† by Miyo Sta. Maria. All of the actors portrayed their roles naturally, and they were all funny.Their voice have a power and strong impact to the audience despite the fact that they were using a sound of a chopper that was quite loud but they did not let the sound cover up their voice. Last but not the least is the story with the title, â€Å"Kung Paano Magsintas ng Sapatos† by Janina Faith Gacosta. The story was a bit simple and it has a predictable ending. But with that matter, the characters did a great job especially the man at his young age, he was able to portray the role of an old man with side acts like cough and loss of breath, he showed variety of emotions and the delivery of the words was very clear.The little boy also did a great job in acting but the volume of his voice was very low and he is slang that was not that appropria te to his character. To sum up, all of the plays have their different characteristics and the characters as well. But with the right variety of tone, volume, pitch, gestures and even emotions, they can really act in front naturally. I think with coherence with our subject, it is very important that we know those factors that will make pour speech or delivery clear and understandable.

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